This course explores the ways in which objects and material culture embody personal narrative. Moving back and forth from ephemeral traces of events and experiences to the culturally invested luxury goods that create legacy to the objects that facilitate daily life, this class will use, as its primary references, examples that draw from queer and African American cultures to underscore the potential of objects to tell the stories that not only reflect majority traditions and experiences but those of the disenfranchised, the details of whose lives are often obscured. In addition to readings that will provide background for class discussion, student will be asked to play the roles of detectives, archeologists, and curators at various sites around New York City. Each student will also be asked to create an annotated material record that reveals the public and private lives of one individual. That record may consist of texts, objects or any variety of media chosen or designed by the student. This blogs serves as an archive for the work done in the context of this course and related materials that become relevant to this exploration.

Sunday, August 31, 2014

Survey as an artifact/evidence



Above is the image of a survey conducted at a Korean high school in Incheon in 2011. The survey was conducted at a girls' high school.


I translated the questions in English in red. The one below is the original of the survey.









- Juwon

Maté

posted by Israel Fuentes

Mate has a strong cultural significance in the southern hemisphere of America. These gourds are vessels that steep dry leaves, creating a high-energy drink. These gourds are hand carved, while others are mass-produced. This item can be categorized as evidence of mate-user, and a possible heirloom that is given to the next generation of family, if crafted well. 




Carl Van Vechten's photographs chronicling black and queer culture

Carl Van Vechten's photographs can be viewed as evidence and artifacts of black and queer culture but also as evidence, artifacts and heirlooms of the artist's life.

posted by Tony Whitfield


http://beinecke.library.yale.edu/collections/highlights/living-portraits-carl-van-vechtens-color-photographs-african-americans-1939


Living Portraits: Carl Van Vechten's Color Photographs of African Americans, 1939-1964

Photographs of artists, entertainers, activists, educators, and public intellectuals taken by Carl Van Vechten.
Carl Van Vechten (1880-1964), photographer, promotor of literary talent, and critic of dance, theater, and opera, had an artistic vision rooted in the centrality of the talented person. He cherished accomplishment, whether in music, dance, theater, fine art, literature, sport, or advocacy. He began to make photographic portraits in 1932; in 1939 he discovered newly available color film. For a quarter century, he invited friends and acquaintances, well-known artists, fledgling entertainers, and public intellectuals to sit for him, often against backdrops reminiscent of the vivid colors and patterns of a Matisse painting. Among his subjects are a very young Diahann Carroll, Billie Holiday in tears, Paul Robeson as Othello, Althea Gibson swinging a tennis racquet, and a procession of opera stars, composers, authors, musicians, activists, educators, and journalists who made notable contributions to the cultural and intellectual life of the country. Also included are brilliant color images of notable and everyday places: Fisk University in Nashville, Tennessee; the wedding of friends; pushcarts and street scenes of Harlem; children at play in a housing project's yard.

The Collection

Color slides of Blacks.
1,884 color Kodachrome slides, 2 x 2 inches each.
African Americana
American Literature
Call Numbers
JWJ Van Vechten
Permissions
Photographs by Carl Van Vechten are used with permission of the Van Vechten Trust; the permission of the Trust is required to reprint or use Van Vechten photographs in any way. To contact the Trust email: Van Vechten Trust (BruceKellnerB@aol.com).
Citations
Carl Van Vechten Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University

What evidence does a portrait hold?

What is visible in a portrait? 
posted by Tony Whitfield

from http://strangeflowers.wordpress.com/2012/03/22/berenice-abbott-portraits/

Berenice Abbott | portraits

American photographer Berenice Abbott is currently the subject of a major show at the Jeu de Paume in Paris. Abbott was connected to much of that city’s avant-garde and expatriate communities in the 1920s and took compelling portraits of her illustrious crowd. And while the exhibition draws on her entire oeuvre, including her acclaimed series on New York City, it’s hard to go past these brilliant character studies.

Jean Cocteau

Princess Marthe Bibesco

James Joyce

Jane Heap

Max Ernst

Edna St Vincent Millay

Claude McKay

Djuna Barnes

Robert McAlmon

Sylvia Beach

Foujita

Solita Solano

Lucia Joyce

Saturday, August 30, 2014

The imprint of queerness on America

Build on the work of fellow Parsons students in two previous courses taught by Tony Whitfield.  This blog has over 900 entries compiled over the last two years on the ways in which LGBTQI people have impacted American culture. Use it as a resource and point of departure 




How should we understand what are we seeing?

What are we really seeing?
posted by Tony Whitfield

What Are "Gay Semiotics"?
http://www.gaysemiotics.net/semiotics/4565701905


Semiotics "involves the study not only of what we refer to as 'signs' in everyday speech, but of anything which 'stands for' something else. In a semiotic sense, signs take the form of words, images, sounds, gestures and objects. Contemporary semioticians study signs not in isolation but as part of semiotic 'sign-systems' (such as a medium or genre). They study how meanings are made and how reality is represented." (Chandler, 2007, p.2)

'Gay semiotics' refers to the processes and signs which make homosexuality manifest and which render it potentially visible to others. Or, in everyday language: the ways we 'read' someone as potentially  gay or lesbian. However, gay semiotics is also concerned with the ways in which 'the homosexual' has been used as a 'sign' throughout history: a symbolic figure which might tell us something about cultural values, fears and expectations.

This website will explore the signs and symbols which gay men and lesbians have used in order to signal their homosexuality to others, as well as the historical search for bodily marks and signs which would identify a distinctively gay or lesbian body. It will cover subcultural in-group codes such as those outlined by Fischer (1977) and Baker (2002), cultural stereotypes of the gay man or lesbian, and the medical and scientific concern with distinctive identifying features by which gay 'bodies' could be recognised.

For more information on semiotics, see Daniel Chandler's book (below) and website: http://users.aber.ac.uk/dgc/Documents/S4B/



REFERENCES
Baker, P. (2002). Polari: The Lost Language of Gay Men. London: Routledge.
Chandler, D. (2007). Semiotics: The Basics (2nd ed.). London: Routledge.
Fischer, H. (1977).  Gay Semiotics ♂: A Photographic Study of Visual Coding among Homosexual Men. San Francisco: NFS Press.




Qcc Home
Gay Semioticsby Hal Fischer
© 1977

Signifiers
Essay
Archetypal
Media Images

Fetishes
> Street Fashions
Addendum
Bibliography
STREET FASHIONS
STREET FASHION
BASIC GAY
STREET FASHION
JOCK
Figure 19
Figure 20
STREET FASHION
FORTIES FUNK
STREET FASHION
HIPPIE
Figure 21
Figure 22
STREET FASHION
UNIFORM
STREET FASHION
LEATHER
Figure 23
Figure 24

Artifacts and Heirlooms of a nation's history


posted by Tony Whitfield


























  • z

    Martin Luther King Jr

    National Historic SiteGeorgia

A Great Leader is Born

A young boy grows up in a time of segregation…A dreamer is moved by destiny into leadership of the modern civil rights movement…This was Martin Luther King, Jr.  Come hear his story, visit the home of his birth, and where he played as a child.  Walk in his footsteps, and hear his voice in the church where he moved hearts and minds.  Marvel at how he was an instrument for social change.

Did You Know?

Dr. King and his father
Ebenezer Baptist Church's most famous member, Martin Luther King, Jr., was baptized as a child in the church. After giving a trial sermon to the congregation at Ebenezer at the age of 19 Martin was ordained as a minister. In 1960 Dr. King, Jr. became a co-pastor of Ebenezer with his father.