This course explores the ways in which objects and material culture embody personal narrative. Moving back and forth from ephemeral traces of events and experiences to the culturally invested luxury goods that create legacy to the objects that facilitate daily life, this class will use, as its primary references, examples that draw from queer and African American cultures to underscore the potential of objects to tell the stories that not only reflect majority traditions and experiences but those of the disenfranchised, the details of whose lives are often obscured. In addition to readings that will provide background for class discussion, student will be asked to play the roles of detectives, archeologists, and curators at various sites around New York City. Each student will also be asked to create an annotated material record that reveals the public and private lives of one individual. That record may consist of texts, objects or any variety of media chosen or designed by the student. This blogs serves as an archive for the work done in the context of this course and related materials that become relevant to this exploration.

Sunday, August 31, 2014

Carl Van Vechten's photographs chronicling black and queer culture

Carl Van Vechten's photographs can be viewed as evidence and artifacts of black and queer culture but also as evidence, artifacts and heirlooms of the artist's life.

posted by Tony Whitfield


http://beinecke.library.yale.edu/collections/highlights/living-portraits-carl-van-vechtens-color-photographs-african-americans-1939


Living Portraits: Carl Van Vechten's Color Photographs of African Americans, 1939-1964

Photographs of artists, entertainers, activists, educators, and public intellectuals taken by Carl Van Vechten.
Carl Van Vechten (1880-1964), photographer, promotor of literary talent, and critic of dance, theater, and opera, had an artistic vision rooted in the centrality of the talented person. He cherished accomplishment, whether in music, dance, theater, fine art, literature, sport, or advocacy. He began to make photographic portraits in 1932; in 1939 he discovered newly available color film. For a quarter century, he invited friends and acquaintances, well-known artists, fledgling entertainers, and public intellectuals to sit for him, often against backdrops reminiscent of the vivid colors and patterns of a Matisse painting. Among his subjects are a very young Diahann Carroll, Billie Holiday in tears, Paul Robeson as Othello, Althea Gibson swinging a tennis racquet, and a procession of opera stars, composers, authors, musicians, activists, educators, and journalists who made notable contributions to the cultural and intellectual life of the country. Also included are brilliant color images of notable and everyday places: Fisk University in Nashville, Tennessee; the wedding of friends; pushcarts and street scenes of Harlem; children at play in a housing project's yard.

The Collection

Color slides of Blacks.
1,884 color Kodachrome slides, 2 x 2 inches each.
African Americana
American Literature
Call Numbers
JWJ Van Vechten
Permissions
Photographs by Carl Van Vechten are used with permission of the Van Vechten Trust; the permission of the Trust is required to reprint or use Van Vechten photographs in any way. To contact the Trust email: Van Vechten Trust (BruceKellnerB@aol.com).
Citations
Carl Van Vechten Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University

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