This course explores the ways in which objects and material culture embody personal narrative. Moving back and forth from ephemeral traces of events and experiences to the culturally invested luxury goods that create legacy to the objects that facilitate daily life, this class will use, as its primary references, examples that draw from queer and African American cultures to underscore the potential of objects to tell the stories that not only reflect majority traditions and experiences but those of the disenfranchised, the details of whose lives are often obscured. In addition to readings that will provide background for class discussion, student will be asked to play the roles of detectives, archeologists, and curators at various sites around New York City. Each student will also be asked to create an annotated material record that reveals the public and private lives of one individual. That record may consist of texts, objects or any variety of media chosen or designed by the student. This blogs serves as an archive for the work done in the context of this course and related materials that become relevant to this exploration.

Friday, August 29, 2014

Crystal from Baccarat

Potential heirlooms for Baccarat Crystal
posted by Tony Whitfield


BIOGRAPHY

Marcel Wanders

Wanders brings his elegance and star power to bear whenever he is in the company of the great and lesser-known lights of the design world.

He doesn’t need the clown nose; his height and thick head of hair, along with his talisman, the ever-present bead necklace, are enough to silence, then bring to a hushed whisper, a room full of people.
He is an eminent design pro, a complex mix of confidence and well-concealed timidity, of depth and excess, of generosity and exuberant talent; a larger-than life figure, in keeping with his dreams and his plans, much like his prestigious projects: the Kameha Grand Hotel in Bonn, the Mondrian South Beach Hotel in Miami, the Villa Moda boutique in Bahrein, among other exceptional projects.
 Forêt des Songes votives & vases 
He is both Wanders, a international design star and jetsetter with a brutal work load, traveling
first class—to accommodate those long legs—to the four corners of the world; and Marcel,
entrenched in the provincial rhythm of Amsterdam, getting around the city on foot or by bike,
unless he is in his vintage, ageless Mercedes.
Marcel Wanders, hedonist designer and poet, imbued from childhood with his Dutch roots, linked
directly to Vermeer’s light, the blue of Delft porcelain (the Delft blue pieces from the MOOOI
2008 collection), lace (the Crochet Chair, 2006) and macramé (the Knotted Chair, 1996).
Wanders His sense of humor, his romantic extravagance and his poetic and whimsical approach
to all archetypes first appeared in the Droog design projects, then in the collections of the company
he co-founded, MOOOI, where he is also the current art director. And he’s everywhere,
showing up as a model for GAP’s international ad campaign and working for nearly every major
design label for whom he designs one bestseller after another, year after year.

Baccarat has also joined in, claiming Marcel Wanders as one of its own, for his whimsical
inspiration drawn straight from the Arts Décoratifs. Channeling the natural world, Marcel Wanders
dreamed up “United Crystal Woods” for Baccarat, a collection bringing together several facets
of the company: “La Fôret des Songes,” multipurpose candle jars decorated with a lace pattern
etched to various thickness; “Les Rois de la Fôret,” monumental cut vases of polished metal
or marble bases (the latter available as a limited edition only); “L’Ivresse des Bois,” a set of utterly
elegant wine glasses and carafes. And finally, the pinnacle of this imaginary forest,
“L’Esprit des Bois,” an improbable family of deer and stags, made of polished stainless steel
and wood encased in etched crystal; in candlelight, these poetic, graceful shapes look like
dreams come to life.

  ROIS DE LA FORÊT & IVRESSE DES BOIS COLLECTION

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