This course explores the ways in which objects and material culture embody personal narrative. Moving back and forth from ephemeral traces of events and experiences to the culturally invested luxury goods that create legacy to the objects that facilitate daily life, this class will use, as its primary references, examples that draw from queer and African American cultures to underscore the potential of objects to tell the stories that not only reflect majority traditions and experiences but those of the disenfranchised, the details of whose lives are often obscured. In addition to readings that will provide background for class discussion, student will be asked to play the roles of detectives, archeologists, and curators at various sites around New York City. Each student will also be asked to create an annotated material record that reveals the public and private lives of one individual. That record may consist of texts, objects or any variety of media chosen or designed by the student. This blogs serves as an archive for the work done in the context of this course and related materials that become relevant to this exploration.

Saturday, August 30, 2014

How should we understand what are we seeing?

What are we really seeing?
posted by Tony Whitfield

What Are "Gay Semiotics"?
http://www.gaysemiotics.net/semiotics/4565701905


Semiotics "involves the study not only of what we refer to as 'signs' in everyday speech, but of anything which 'stands for' something else. In a semiotic sense, signs take the form of words, images, sounds, gestures and objects. Contemporary semioticians study signs not in isolation but as part of semiotic 'sign-systems' (such as a medium or genre). They study how meanings are made and how reality is represented." (Chandler, 2007, p.2)

'Gay semiotics' refers to the processes and signs which make homosexuality manifest and which render it potentially visible to others. Or, in everyday language: the ways we 'read' someone as potentially  gay or lesbian. However, gay semiotics is also concerned with the ways in which 'the homosexual' has been used as a 'sign' throughout history: a symbolic figure which might tell us something about cultural values, fears and expectations.

This website will explore the signs and symbols which gay men and lesbians have used in order to signal their homosexuality to others, as well as the historical search for bodily marks and signs which would identify a distinctively gay or lesbian body. It will cover subcultural in-group codes such as those outlined by Fischer (1977) and Baker (2002), cultural stereotypes of the gay man or lesbian, and the medical and scientific concern with distinctive identifying features by which gay 'bodies' could be recognised.

For more information on semiotics, see Daniel Chandler's book (below) and website: http://users.aber.ac.uk/dgc/Documents/S4B/



REFERENCES
Baker, P. (2002). Polari: The Lost Language of Gay Men. London: Routledge.
Chandler, D. (2007). Semiotics: The Basics (2nd ed.). London: Routledge.
Fischer, H. (1977).  Gay Semiotics ♂: A Photographic Study of Visual Coding among Homosexual Men. San Francisco: NFS Press.




Qcc Home
Gay Semioticsby Hal Fischer
© 1977

Signifiers
Essay
Archetypal
Media Images

Fetishes
> Street Fashions
Addendum
Bibliography
STREET FASHIONS
STREET FASHION
BASIC GAY
STREET FASHION
JOCK
Figure 19
Figure 20
STREET FASHION
FORTIES FUNK
STREET FASHION
HIPPIE
Figure 21
Figure 22
STREET FASHION
UNIFORM
STREET FASHION
LEATHER
Figure 23
Figure 24

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