This course explores the ways in which objects and material culture embody personal narrative. Moving back and forth from ephemeral traces of events and experiences to the culturally invested luxury goods that create legacy to the objects that facilitate daily life, this class will use, as its primary references, examples that draw from queer and African American cultures to underscore the potential of objects to tell the stories that not only reflect majority traditions and experiences but those of the disenfranchised, the details of whose lives are often obscured. In addition to readings that will provide background for class discussion, student will be asked to play the roles of detectives, archeologists, and curators at various sites around New York City. Each student will also be asked to create an annotated material record that reveals the public and private lives of one individual. That record may consist of texts, objects or any variety of media chosen or designed by the student. This blogs serves as an archive for the work done in the context of this course and related materials that become relevant to this exploration.

Monday, November 10, 2014

Unwanted Heirlooms

http://www.nytimes.com/2008/06/26/garden/26inheritance.html?pagewanted=all&_r=0

This article discusses people who inherent unwanted heirlooms. But is that a genuine reaction, or based in a misinterpretation of what an heirloom is meant to be? In my mind, an heirloom is something that had deep meaning to the person it came from and was given to its new owner out of the mentality that they will be able to appreciate it and understand what it means. However, that's where this article gets interesting. It talks about how even the most hated heirlooms are held on to. Even if someone despises their newly acquired ugly chair, they keep it. One woman actually inherited a portrait of her great great Uncle. She hated the painting, but decided to keep it. While moving, it was damaged and she paid $3,000 to repair it "because he's family." I find it interesting how people accept their heirlooms flaws and keep them in their lives anyway, just like family members themselves.

The repaired portrait




Posted by Briana Lynch

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