This course explores the ways in which objects and material culture embody personal narrative. Moving back and forth from ephemeral traces of events and experiences to the culturally invested luxury goods that create legacy to the objects that facilitate daily life, this class will use, as its primary references, examples that draw from queer and African American cultures to underscore the potential of objects to tell the stories that not only reflect majority traditions and experiences but those of the disenfranchised, the details of whose lives are often obscured. In addition to readings that will provide background for class discussion, student will be asked to play the roles of detectives, archeologists, and curators at various sites around New York City. Each student will also be asked to create an annotated material record that reveals the public and private lives of one individual. That record may consist of texts, objects or any variety of media chosen or designed by the student. This blogs serves as an archive for the work done in the context of this course and related materials that become relevant to this exploration.

Wednesday, September 3, 2014

"Time Warps and Little Monsters: How Queer Cultures Stopped Appropriating Camp Elements and Started Being Appropriated Themselves" from /Bent

Zachary Robinson

 This is an interesting article on the shift in camp culture from appropriation to being appropriated. I think the specific call out of Ryan Murphy could use more support around The Normal Heart and explanation around that authors call out of American Horror Story as an example, but all and all an interesting take on the shift the queer community is going through.

Read the article
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